As human beings who connect with other human beings, it’s understandable to long for connection with those who have passed on before us. The ways we attempt to connect to the dead are varied, from tradition means such as spiritualism to more modern methods incorporating advanced digital technologies. Whatever form it takes, the longing to reach out to what has passed on remains.
In addition to two stories that address different ways of raising the dead, this week’s dose of the weird includes work discussing depictions of gender in horror and unsavory appetites.
Taking a look at portrayals of how gender nonconformity is portrayed in horror, Red Broadwell points to Leatherface as a surprisingly positive representation.
Kim McDonald explores one of humanity’s greatest taboos in her discussion of how two different movies explore cannibalism.
Diablo 4 — Everything We Know So Far (GameSpot)
Highlights from the anticipated Blizzard game, including gameplay, character classes, and the story thus far.
Life & Lore
With the recent announcement of a patented technology that uses AI and computer learning to digitally resurrect lost loved ones, the legal aspects of using our data after death comes into question.
This concept is brilliantly explored in the fictional narrative podcast Life-e.af/ter, in which a man gets caught up in a strange mystery after connecting with the voice of his lost wife.
Blending the historical and modern, the Corpse Reviver Bar takes its name from the former coffin shop in which it’s housed.
The Spirit Writing of Lucille Clifton (The Paris Review)
Famous for her poetry, Clifton also followed the path of a spiritual medium, working with automatic writing to create a number of documents. “Clifton’s spirit writing, while ostensibly fitting into a race- and gender-blind New Age tradition, should be read as an important contribution to Black feminist theories of embodiment,” notes Marina Magloire. “Clifton’s spirit communications foreshadow contemporary global issues like climate change and the rise of the far right, and they position Black women at the vanguard of addressing these issues.”
Short of the Week
“Juliette,” directed by Lora D'Addazio, is about a shy girl terrified to catch a ride with two older girls who aren’t paying attention to the road. What unfolds is a gorgeously animated psychological thriller.
I recommend following this one up with an episode the Horror Queers podcast, which provides some interesting analysis of the symbolism in the film.